© - Steven A. Cerra, copyright protected; all rights reserved.
"As a touring artist you are constantly surrounded by people who want something from you. People ask you for everything imaginable, offer you things . . . Chet couldn't shut himself off, he was open to everything that happened around him.
"Yesterday, somebody came backstage and started insulting me. He thought I played badly and said so in a very unpleasant way. I said: 'This is the dressing room, what are you doing back here?' and told him to get lost. If you take drugs, you can't do that. At certain moments you get an enormous kick, but later you're even more susceptible to exactly those things you've escaped from. You don't even have control over yourself. You're always in the victim's role.
"I'm often in Europe on tour. On the stage, I have success, I communicate with the public. But when I leave the stage, I'm a mere mortal again, trying to get along in the world. No one knows me, only the jazz insiders, and I don't speak the languages. Everywhere there are people who try and cheat this 'Ugly American.' And I fight it: 'Hey, you're charging me too much, No, that's not right!' I don't like to have to act that way, but I have the alternative of either doing it or being cheated.
"Chet let all this affect him and then would suddenly get in a horrible mood in a completely uncontrolled way. Once, we were supposed to rehearse in a music school where I taught. The principal, who sat behind a desk below, didn't know Chet and asked him what he was doing there. When Chet heard that he began to abuse the guy. And he wouldn't let up. I think I lost the job because of that incident. He looked like a tramp and was treated accordingly.
"Anytime someone wants to tell me a story about Chet Baker, I say, 'Stop, let it alone,' because I already know it's going to be a sad story. Chet got in trouble all the time."
-Lee Konitz, alto saxophonist
The editorial staff at JazzProfiles has recently received news that a revised, updated and expanded edition of Jeoren de Valk’s biography Chet Baker: His Life and Music will be available in a few months from Aspekt Press which you can locate via this link.
Originally copyrighted in 1989 by Van Gennep, the book has been translated into English and available in a softbound edition since 2000 from Berkeley Hills Books.
Chet Baker was a star at 23 years old, winning the polls of America’s leading magazines. But much of his later life was overshadowed by his drug use and problems with the law. Chet Baker: His Life and Music was Baker’s first solidly researched biography, published a year after Baker’s passing in 1988. It was available in five languages.
Here is a Press Release about the forthcoming revised, updated and expanded edition of Mr. de Valk’s biography of Chet.
“Now finally, here is Jeroen de Valk’s thoroughly revised, updated and expanded edition. De Valk spoke to Baker himself, his friends and colleagues, the police inspector who investigated his death and many others. He read virtually every relevant word that was ever published about Chet and listened to every recording; issued or unissued.
The result of all this is a book which clears up quite a few misunderstandings. For Chet was not the ‘washed-up’ musician as portrayed in the ‘documentary’ Let’s Get Lost. He recorded his best concert ever less than a year before he died. His death was not thát mysterious.
According to De Valk, Chet was first of all an incredible improviser; someone who could invent endless streams of melody. “He delivered these melodies with a highly individual, mellow sound. He turned his heart inside out, almost to the point of embarrassing his listeners.’’
The film rights of this book have been sold to Kingsborough Pictures. The movie ‘Prince of the Cool’ is in the making. Furthermore, the author worked as an advisor for ‘My Foolish Heart’, a Dutch ‘neo-noir music film’ which will be released in cinemas in 2018. Earlier, De Valk contributed to the legendary documentary ‘The Last Days’.
The press about De Valk’s earlier edition:
Jazz Times: ”A solidly researched biography… a believable portrait of Baker… a number of enlightening interviews…’’
Library Journal: “De Valk’s sympathetic yet gritty rendering of Baker’s life blends well with his account of Baker’s recording career. Somehow, the author manages to avoid the lurid and sensationalistic aspects that those having only a passing familiarity with the musician usually recount.’’
Cadence: “A classic of modern jazz biography. De Valk’s writing is so straightforward as to be stark, yet this is just what makes it so rich. His description of the events leading to the fall that took Baker’s life, for instance, has a quick, breathless suspense to it.’’
Jazzwise: “… it’s going to be definitive.’’
Jeroen de Valk (1958) is a Dutch musician, journalist and jazz historian. He has been writing about jazz since the late 70s and also authored an acclaimed biography about tenor saxophonist Ben Webster.”
And here is an excerpt from the Preface of the original edition of the book that sets the tone for how Mr. de Valk approached writing about Chet:
“CHET BAKER is the subject of many misunderstandings. Read anything about Chet Baker— an article in a magazine or a newspaper, for example —and it is likely you will be told that Chet was a pitiful character who started using drugs when his popularity dwindled and his piano player Dick Twardzik died. That he faded into obscurity after spectacular early success and was rescued from oblivion by filmmaker Bruce Weber, who also inspired his last recording, the soundtrack for Let's Get Lost. That he was killed in Amsterdam, where the police handled the case carelessly.
The truth, alas, is less sensational. Chet had his problems, but he was hardly that badly off. He started using drugs when he was at the height of his popularity and Twardzik was still alive. In the last ten years of his life, he was very popular in Europe, where he recorded and performed extensively. His trumpet playing was usually much stronger than it is in Weber's film. The soundtrack was certainly not his last recording; he made over a dozen records afterward, both live and in the studio. One of them — Chet Baker in Tokyo — contains his best work ever. And, finally, Chet was not killed. After thorough examination, the police concluded that he died because he fell out of his hotel room, after having taken heroin and cocaine. This may sound anti-climatic for a jazz hero, but there is nothing I can do about that.
I found out this - and other things - while talking to friends, colleagues, and a police sergeant, spending quite some time in libraries, reviewing paper clippings from all over the world, and collecting as many recordings as I could.”
The editorial staff at JazzProfiles will post a more detailed account of the revised, updated and expanded version of Mr. de Valk’s biography of Chet in a future posting.